"...So fuck you!"

I've recently uncovered a remarkable artist. Unfortunately, I was a bit late, since he's been dead since 1995. But, he left a wealth of recording behind him for me to enjoy. He went by the name of Harry Nilsson. The first time a heard Nilsson was in an old friend's house. His Da had the "Resevoir Dogs" soundtrack. As you may know, his song "Coconut," a novelty calypso, is played during the end credits. It's a funny song and I liked it.

Years later, I purchased that same sountrack and had the song myself. I thought nothing of it for another few years. But a few weeks, Lorna and I were talking and she reminded me of the song and I played it. That night I had a look on YouTube to see if I could find a video for the song and possibly more Harry. I found what I was looking for, and more. There's a video for "Coconut" and when I first watched a solo acoustic BBC performance of "1941," I knew I had to look for more Harry.


~

"Well the years were passing quickly
But not fast enough for him
So he close his eyes through '55
And he opened them up again."

Unfortunately, HMV only had one Harry CD "The best of Harry Nilsson." But, it doesn't have "1941," so, when buying R. Wainwright CDs for a certain person, I got "Nilsson Greatest Hits" for myself.

Asked the name their favo(u)rite American musician at a Beatles press conference, John Lennon and Paul McCartney answered "Nilsson." It is easy to see why they were so impressed. Nilsson's three-and-a-half octave voice, catchy melodies, witty lyrics, and baroque arrangements, branded him as one of the most exciting new talents of the late 60s. Nilsson was equally well-versed as a songwriter and a sensitive interpreter of the other people's material.

That's the blurb on the back of "Nilsson Greatest Hits." Sounds great doesn't it? Surely promising anyway. To my delight, "1941" was the first track. It's the studio version with string arrangments and the like. It's also faster paced than the solo version I heard first, but it's still absolutely wonderful. Pianist/guitarist and talented singer, Harry's music spans over as many genres as you care to think of. As far as I know, most is put under general pop. But, "Jump Into the Fire" dived among rock anthems, for example. Another song, "Joy," sounds very country. The vocals are quite J. Cash, and the slide guitar finishes the yee-hah sort of tone.

The people that knew and loved him describe Harry as "reclusive," "gregarious," "shy and diffident," "wild," "endlessly fun," "innocent," "a complete lunatic," and "a pussycat."

At first, I could kinda divide the songs on the greatest hits album into two categories. One being depressing ("1941," "Without Her," "One," "Without You," "Don't Forget Me") and the other being not depressing sounding, but still depressing ("Cuddly Toy," "The Puppy Song," "Good Old Desk").

Two Nilsson songs played a big part in our recent trip to Glendalough, and also featured in another night down the Cock Tavern. These song are "The Puppy Song" and "You're Breakin' My Heart." The latter is the best example of Nilsson's tendancy to use scatological lyrics in the most genius places.

"You're breakin' my heart, you're tearing it apart, so fuck you!"

"The Puppy Song," which fits into the not depressing sounding, but still depressing category, displays the singers wish to have a puppy as a companion. Sounds harmless enough.

"Dreams are nothing more than wishes,
And a wish is just a dream, you wish to come true"

But the above line makes you realise that the desire is really for a friend and not just for a cuddly dog. "Good Old Desk" has the same connotations. His best friend, his favourite guest, his desk, seems to be his only riend. Harry once answered that the acronym GOD showed the true meaning of the song. But, he later declared that he was bullshitting. But just going on the words, it seems a recluse has lost sight of reality and has found comfort in seemingly happy words and cheerfully-toned music, and of course, the reliability of his "Good Old Desk."

The blurb talks about Nilsson's "catchy melodies." I must say that this is true. Examples of this: "Daybreak," "Spaceman," "1941," "The Puppy Song," (explains why we sang it so much) "You're Breakin' My Heart" etc. etc.

Harry was good friends with the Beatles, and as I've already said, they liked his music. It is possible that he was better friends with John Lennon because of their lost weekend of shananigans. Lennon also produced Nilsson's album "Pussy Cats." But Ringo Starr was also a mate, and together, they starred in a 1974 musical comedy, "Son of Dracula."



So, if you wish you could call this my review of Mr. H. Nilsson. I have surely enjoyed listening to all the songs that I have at present. I'm not sure if I have a favourite song yet. Could be "Good Old Desk." I love all his yadda-di-di yadda-da-da-dum stuff, especially in "Good Old Desk" and "1941." If you'd like to hear some good music, pick up a Nilsson CD. Smile now! CLICK. There y'are now. Enjoy.